Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Julius Ludwig Friedrich Runge
Morgenstimmung an der Adria mit Fischerbooten und Langustenfischern. Im Vordergrund felsige Kuste.

ID: 90368

Julius Ludwig Friedrich Runge Morgenstimmung an der Adria mit Fischerbooten und Langustenfischern. Im Vordergrund felsige Kuste.
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Julius Ludwig Friedrich Runge Morgenstimmung an der Adria mit Fischerbooten und Langustenfischern. Im Vordergrund felsige Kuste.


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Julius Ludwig Friedrich Runge

painted Morgenstimmung an der Adria mit Fischerbooten und Langustenfischern. Im Vordergrund felsige Kuste in   Related Paintings of Julius Ludwig Friedrich Runge :. | Nordseelandschaft mit Booten an einem dunstigen Morgen | Segelboote vor der Kuste an einem Sonnentag | Morgenstimmung an der Adria mit Fischerbooten und Langustenfischern. Im Vordergrund felsige Kuste. | Kustenlandschaft mit altem Wehrturm | Sudliche Kustenlandschaft. Blick von der Hohe auf Insel an einem Sonnentag |
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Richard Dadd
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Ferdinand Kobell
(born in Mannheim, 7 June 1740; died in Munich, 1 February 1799) was a German painter and engraver. He was studying at the University of Heidelberg when the Elector of Bavaria, admiring a landscape, aided him to devote his entire time to painting. He became the pupil of Peter Verschaffelt. He next studied art in Paris (1768-1769). On his return, he was appointed painter to the Cabinet (court painter), and later professor at the Academy. In 1793, he moved to Munich. He was appointed director of the Mannheim Gallery (1798) but died before entering on his duties.
Canaletto
Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.






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